tag:blogger.com,1999:blog-61401975656589861482024-03-13T18:25:37.178-07:00Ned Martin - insights on oil paintingNed Martin Artist and Realism Painter reveals How to techniques in painting in oils for landscape, cityscapes and figures. step by stepned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comBlogger11125tag:blogger.com,1999:blog-6140197565658986148.post-65320673999232324442017-06-05T11:52:00.001-07:002017-06-05T11:52:07.788-07:00Gallery Talk: Ned Martin<iframe allowfullscreen="" frameborder="0" height="270" src="https://www.youtube.com/embed/-2ssnTOEjCw" width="480"></iframe><br />
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latest on painting in oils from ned martinned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-88341119856111869692012-11-28T05:10:00.001-08:002012-11-28T05:10:27.082-08:00<!--[if gte mso 9]><xml>
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A review from Art Collectors Magazing:</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-W8v5N9jUVpY/ULYNJ4W905I/AAAAAAAAAIs/xczLqhMUlA4/s1600/ned_martin_artist_focus_sm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-W8v5N9jUVpY/ULYNJ4W905I/AAAAAAAAAIs/xczLqhMUlA4/s320/ned_martin_artist_focus_sm.jpg" width="231" /></a></div>
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Artist Focus: Ned Martin / Between Two Worlds </div>
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Self-taught artist Ned Martin has been painting since early
childhood. He is inspired by the feeling of falling and the ethos of “letting
go.” His technique consists of making thousands of small marks of oil paint,
then breaking them up by scratching the surface only to add more marks.
Although Martin credits contemporary artists Chuck Close and Lucian Freud as
major influences, he also keenly recalls the impact his fourth grade teacher
had on his path to art.</div>
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Martin describes that experience in his blog about why
painters paint: I had made a small sculpture from clay and she paused at my
desk and just for that one brief moment her voice changed. She spoke as soft
and sweet and light as angel and her words warmed me and gave me goose bumps
all at the same time. She praised me for something I had done. From that moment
on, I craved approval for my art… When everything you touch results in complete
disaster, one learns to adapt, one learns to focus. One learns to be a better
dancer, to sing like no other or to strive to be the best damn painter
possible.”</div>
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A Baltimore native now living in Hell’s Kitchen, Martin has
shown work in galleries in Baltimore, New York, Toronto, Barcelona and
Florence. It is his environment; however, that plays a real influence on the
work.</div>
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“I live and paint in Midtown Manhattan during the week and
live and paint in rural central Pennsylvania during the weekends.” he explains.
“I am blissfully stuck in my two worlds: simply cannot live in one without the
other. My paintings are a reflection of the dichotomy: very photo-real and
calming when viewed from afar, contemporary, abstract, maniacal when examined
closely.”</div>
ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-15058658708246999952012-11-16T03:42:00.001-08:002012-11-16T03:42:38.446-08:00<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-3FXvmy_2QqU/UKYmim8j0aI/AAAAAAAAAHs/K3iUFjPMWls/s1600/missing_pieces_sm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="235" src="http://1.bp.blogspot.com/-3FXvmy_2QqU/UKYmim8j0aI/AAAAAAAAAHs/K3iUFjPMWls/s320/missing_pieces_sm.jpg" width="320" /></a></div>
Inspiration moves faster than my brush. ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-1063476032335033742012-11-12T12:33:00.001-08:002012-11-12T12:33:53.143-08:00<b>Lost in my 2 worlds: Urban PA and Rural NYC</b><br />
CNTRL PA: We enjoyed the warm weather as we sat gathered around the picnic table there under the overhanging branches behind the log cabin. With my back to the woods, I sipped my wine and listened to the polite conversation when Rod abruptly interrupted. "There's a bear," he grunted in his deadpan way.<br />
<br />
Susie screamed, jumped up and ran into the house. I turned to look into the woods and marveled at a black bear sitting on his haunches in the small clearing some 30 feet away. He stared back at me then slowly stood and walked amongst the large pine trees and out of site. Rod had been feeding the deer and the 5-gallon feed bucket came bouncing out into the clearing as if the bear was saying ""You forgot to fill this!" We waited. We listened. Nothing more. We did a little searching but the large bear had magically disappeared.<br />
<br />
NYC: Two days later we sat with friends at one of our favorite restaurants on 9th Ave. and 43rd street. Especially nice is their wall of windows that fold out of site so that it feels like a sidewalk cafe. I sat with my back to the windows and enjoyed the jazz pianist. When she finished her song a round of polite applause followed then our gay friend suddenly shrieked, "There's Joan Rivers!" he screamed.<br />
<br />
I wanted to jump up and run away! Joan had paused at the window to listen to the live music. <br />
I turned to look but she had ducked out of site ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-2645461229033659282012-08-20T19:02:00.001-07:002012-08-20T19:02:35.280-07:00Just finished a new large landscape (36 x 30"). It is always such a satisfying feeling especially cuz I struggled with the direction and mood of this one. Didn't really start working until I put away the photograph and trusted the vision. Pick up a glass. Cheers mate!ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-22469498653298208042012-08-19T17:58:00.000-07:002012-08-20T09:59:50.706-07:00<h3>
</h3>
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<h4>
I hope I don’t get arrested by the blog police. I mean I
know (or pretend to understand) blogs are for “I got a hangnail today” or…
whatev. But...</h4>
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<h4>
My finest piece of art, my <b><i>Magnum opus <span style="mso-spacerun: yes;"> </span></i></b><span style="font-size: 12.0pt; line-height: 115%; mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">(or in
this case opuses) is/are my two sons, Ned and Scott. As an artist and a confessed
egocentric driven perfectionist I can still look outside my own crap and there
is nothing more important, nothing I am more proud. And now, with Renee, I have
the opportunity to influence my step-sons, Brandon and Brady and love them and guide
them and support them no matter what. Ok where’s the grand kids? </span></h4>
ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-40893309802220137242012-07-31T13:44:00.001-07:002012-07-31T13:44:47.426-07:00<br />
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<b>What makes dancers dance, singers
sing, painters paint?</b></div>
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<div class="MsoNormal" style="text-indent: .5in;">
Mrs. Cole was a big woman: she wore
tight bright dresses to accentuate her enormous frame. We could hear her as she
approached -- even from a great distance, her heavy footsteps echoed louder and
louder in the hallway as she came toward us. Before she departed, she had warned
us to be quiet. Not a sole dared utter a sound. When she returned she took her
place in front of our class, folded her hands and looked us over. She drew in a
heavy breath and spoke with a dark deep voice, one that only comes from years of heavy
smoking. </div>
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I don’t
remember her words. Not exactly. I do recall however, in vivid detail, her eyes
swelled heavy with tears as she explained that our President Kennedy had been
shot and he was dead. </div>
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Most
people can remember a lot about their experiences in the fourth grade. I can
not. I have only one more indelible memory about Mrs. Cole. I had made a small sculpture from clay and as she moved about the room to inspect our work
she paused at my desk. She seemed to grow smaller before my eyes. She pointed a dainty finger and stroked the clay form. Just for that one brief moment her voice changed. She
spoke as soft and sweet and light as an angel and her words warmed me and gave
me goose bumps all at the same time. She praised me for something I had
done. From that instant on I craved
approval for my art.</div>
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By the
time I was in high school, I was painting sets for class plays, scrawling
groovy flowers on fellow classmate’s book covers and painting dragons on a
friend’s van. When everything else you touch results in complete disaster, one
learns to adapt: one learns to focus. One learns to be a better dancer, to sing
like no other and to strive to be the best damn painter possible.</div>ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-39497230636075153382011-11-08T18:44:00.000-08:002011-11-08T18:44:41.237-08:00Ned Martin - insights on oil painting: Ned Martin How to / Landscape Painting in Oils- St...<a href="http://nedmartin.blogspot.com/2011/08/ned-martin-landscape-painting-step-by.html?spref=bl">Ned Martin - insights on oil painting: Ned Martin How to / Landscape Painting in Oils- St...</a>: ned martin step1 Ned Martin Landscape Painting in Oils Step 1: This my first pass- the under painting .Every painting calls for a custom...<br /><br />latest on painting in oils from ned martinned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-49023328426881331422011-09-16T15:34:00.005-07:002012-02-29T07:43:51.202-08:00Ned Martin's Two Worlds: NYC + Rural PA<div style="color: white;">From an Artist/Painter's point of view, New York City and Rural PA offer an endless source of inspiration, intrigue, and things that make me go hhhmmmmm!</div><br />
<b style="background-color: #3d85c6; color: black;">NY</b><span style="background-color: #3d85c6; color: black;"></span> You can tell if someone is a real NewYorker by the way they wait for the light to change (when walking). Tourist wait on the sidewalk, NewYorkers wait in the street about 10 feet into the first lane.This is not recommended for the casual walking tourist. A bus will take you out in a NY minute and never slow down! Not kidding around.<br />
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<span style="background-color: #3d85c6; font-size: small;"><b>Rural PA</b></span> I went to my first tractor pull! Most of the tractors were not tractors but pickup trucks with large stove pipes coming out of the beds of their trucks with great plumes of black smoke shooting out. They pulled a big sled with lots of weight until they inevitably bogged down and could go no further. I have 2 suggestions: The sport should be renamed "trucks getting stuck in the mud" AND it would be more interesting if they allowed them to get out and punch each other like in Hockey.<br />
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<b style="background-color: #3d85c6; color: black;">NY</b> Most tourist surround themselves with tourist while in NYC cuz they go to "tourist" destinations. See the real NY! Find a small deli on an off street, go in and order salami and provolone on a hero. BEST DAMN SANDWICH EVER! Street meat is also the tops! Best calamari in NYC? Took me forever to find it... <span class="st"><i>MARSEILLE</i>'s / 630 9TH AVENUE on 44th and 9th!</span><br />
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<span style="background-color: #3d85c6; font-size: small;"><b>Rural PA</b></span> Best burger in Central PA: "Bear Burger" (not really bear meat- it's a big hunk of beef)<span class="st"> @ <i>Crippled Bear Inn</i> (on the old rt.15) </span>2967 Lycoming Creek Road in Williamsport. Have it with a large order of fresh cut fries and a draft Yuenling. <br />
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<span class="st">Rural PA: THE CROW AND THE ARTIST</span><br />
<span class="st">The corn fields lay flat on frozen ground this time of year although a few scattered, truncated stalks turn skyward stubbornly refusing to cooperate. The ablility to see across a vast expanse for a mile or so is not something New Yorkers take for granted. Just standing there and listening to nothing awashed in the cold breeze gives me a sense of calm and energetic enthusiasm all at the same time. "I must paint this," I mutter. "The distant hills rolling in great ribbons of burnt sienna and sap green and paynes gray..." The crows squawk and rush past me close enough (I swear) I could hear their wings beating against the cold air. Yes, the crows. Gotta paint the crows into this scene. So I leave this place but it stays in mind's eye and I relive it over and over during the next couple of days. I will paint it soon. </span><br />
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<span class="st">This morning my first cup of coffee and I were greeted with more crows. First a single voice barking loudly then a duet followed by a raucous chorus. I leave the warmth of the log cabin and stand on the deck staring into the woods.</span><br />
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<span class="st">"They've found something dead to eat and are fighting over it," Renee informs me. "It's the only time they do that." I smile. I listen. They are close. Maybe a half mile, maybe even... The loud boom of a gun shot, then another makes my body jerk. </span><br />
<span class="st">"Who in the hell would be shooting a gun so early on a Sunday morning?" I growl.</span><br />
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</span><br />
<span class="st">I shuffle back inside. "I like crows- admire them for their intelligence and beauty," I say to myself. "I have often wished I could have one for a pet like in the movie <i>A Wonderful Life." </i>I go to feed the horses and as I walk out the front door I see a dead crow laying on the gravel driveway. It managed to fly here before falling out of the sky. I realize then I kinda got my wish- in a twisted dark way.</span><br />
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<span class="st">We are alone- the crow and the artist. I examine the corpse closely and I think... my job as an artist is to record in paint things that make others stop and look and to see and to ponder and to feel... This is my responsibility. I will keep the crow and study the thing, paint it and show others what they are missing. </span><br />
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</span><br />
<span class="st">My gun is a brush.<br />
</span><br />
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</span>ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comtag:blogger.com,1999:blog-6140197565658986148.post-7967412087475002262011-08-07T19:53:00.000-07:002011-11-08T18:38:22.291-08:00Ned Martin How to / Landscape Painting in Oils- Step by step<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">ned martin step1</td></tr>
</tbody></table><div class="separator" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"></div><div class="separator" style="clear: both; text-align: left;"><b style="background-color: #783f04; color: #0b5394;"><span style="color: #ffd966;">Ned Martin Landscape Painting in Oils</span></b><span style="color: #0b5394;"> </span>Step 1: This my first pass- the <b>under painting</b>.Every painting calls for a customized approach. In this instance, I am drawing in the basic shapes with thin paint and establishing relative values (laying down the darks first). No hard edges. Easy Peasy.</div><div class="separator" style="clear: both; text-align: left;"><br />
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<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-aqBkk0Cbjag/TkHu8WYhpSI/AAAAAAAAAA8/igEf-zqG_6c/s1600/nedmartin_light_2sm.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="221" src="http://1.bp.blogspot.com/-aqBkk0Cbjag/TkHu8WYhpSI/AAAAAAAAAA8/igEf-zqG_6c/s400/nedmartin_light_2sm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">ned martin step2</td></tr>
</tbody></table><div class="separator" style="clear: both; text-align: left;"></div><div style="text-align: left;"><b style="background-color: #783f04; color: #0b5394;"><span style="color: #ffd966;">Ned Martin Landscape Painting in Oils</span></b><span style="color: #0b5394;"></span> Step 2: Beginning to Lay in textures and relative color.<br />
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-UB6PyAQWD7E/TkSPtsk73XI/AAAAAAAAABA/9UAscegxk08/s1600/nedmartin_light_3sm.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="221" src="http://3.bp.blogspot.com/-UB6PyAQWD7E/TkSPtsk73XI/AAAAAAAAABA/9UAscegxk08/s400/nedmartin_light_3sm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">ned martin step3</td></tr>
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<b style="background-color: #783f04; color: #0b5394;"><span style="color: #ffd966;">Ned Martin Landscape Painting in Oils</span></b><span style="color: #0b5394;"></span> Step 3: Blocked in leaves in foreground.<br />
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-8kjIVYUAvUk/TllYxRPzhnI/AAAAAAAAABE/ggdiruP2NPQ/s1600/ned_martin_light_4sm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="221" src="http://3.bp.blogspot.com/-8kjIVYUAvUk/TllYxRPzhnI/AAAAAAAAABE/ggdiruP2NPQ/s400/ned_martin_light_4sm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">ned martin step4</td></tr>
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<div class="MsoNormal"><b style="background-color: #783f04; color: #0b5394;"><span style="color: #ffd966;">Ned Martin Landscape Painting in Oils</span></b><span style="color: #0b5394;"></span> Step 4: Up to this point, I have been following a traditional / classic method of oil painting. In the first 3 steps the intent was to: 1.) draw the objects, 2.) establish relative lights and darks and 3.) establish relative color. --Pretty straight forward stuff.</div><div class="MsoNormal">In this newest step 4 however, I begin to reveal my neurosis when painting in the new layer of the background. My technique quickly veers far from traditional methods. I find myself laying down paint only to break it apart into worm-like shapes and tiny fractals by scratching and scrapping the wet strokes. These kinds of nonsensical marks drove my instructors crazy when I was in school. Despite their grumblings I never managed to change my ways. I don’t know why I scrape and scratch. In part, it’s something about deploring “paint strokes” I’ve learned to embrace insanity long ago. Hey it’s fun to be crazy.</div><div class="MsoNormal">Next, I’ll show you a close up of a small section of the background so you’ll see (from right over my shoulder) the work of a madman.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-FUPiZ5duM6s/TmqzPV2rUjI/AAAAAAAAABM/wbdobNqjLOs/s1600/ned_martin_light_4_DETAIL.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="177" src="http://3.bp.blogspot.com/-FUPiZ5duM6s/TmqzPV2rUjI/AAAAAAAAABM/wbdobNqjLOs/s320/ned_martin_light_4_DETAIL.jpg" width="320" /></a></div><br />
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<tr><td class="tr-caption" style="text-align: left;"><b style="background-color: #783f04; color: #0b5394;"><span style="color: #ffd966;">Ned Martin Landscape Painting in Oils<span style="color: white;"></span></span></b> This is a detail shot of part of the background. These weird paint marks will eventually cover the entire surface<br />
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</tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-IuhlI5W7pwI/TrniNXm4hEI/AAAAAAAAABQ/m3BJjPNoW5o/s1600/nedmartin_light_5sm.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="221" src="http://4.bp.blogspot.com/-IuhlI5W7pwI/TrniNXm4hEI/AAAAAAAAABQ/m3BJjPNoW5o/s400/nedmartin_light_5sm.jpg" width="400" /></a></div><br />
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<b style="background-color: #783f04; color: #0b5394;"><span style="color: #ffd966;">Ned Martin Landscape Painting in Oils</span></b> Step 5: There is a certain point in a painting where I am convinced that I can "pull this off". I'm at this stage now with this painting and simultaneously... the painting begins to "take over". In other words, up to this point, I have been more concerned about technical aspects. Now, I begin sensing and seeing possibilities of where the painting is really heading (in terms of mood for instance). It takes on a life of its own. This is where the magic happens- if you let it.<br />
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There is an old argument amongst painters: should you paint what you see or what you know. I say neither. YOU SHOULD PAINT WHAT YOU FEEL. </div></div></div>ned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.comNew York, NY, USA40.7143528 -74.005973140.4942638 -74.2853821 40.9344418 -73.7265641tag:blogger.com,1999:blog-6140197565658986148.post-48733196400420436782011-07-28T15:24:00.000-07:002011-07-28T15:24:24.274-07:00Ned Martin answers: Why grind your own oil paints?OK, walk into your nearest art supply store and buy 1 tube of the cheapest oil paint you can find. Pick the hue COBALT BLUE. When you squeeze the paint from the tube you will find gobs of gooey stuff amongst the pigment. That my friend is a lot of (low quality) binder. Low-end paints are packed with the stuff because the raw pigment (especially a hue like COBALT) is the most expensive ingredient. <br />
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So... WHY GRIND YOUR OWN OIL PAINTS? Because you can control the <b>quantity and quality</b> of the <b>binder</b> and the <b>paint pigmen</b>t itself. You will be able to achieve richer, deeper, more saturated... effects. GRIND YOUR OWN OIL PAINTS! You're worth it.<br />
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I'll cover:<u> how to grind oil paints</u> and <u>choosing binders</u> in my next blogs.<br />
Paint on.<br />
Ned Martinned martinhttp://www.blogger.com/profile/01443773280168400054noreply@blogger.com